White Birds out now.
Beatport link: bit.ly/whitebirds-bp
Rave-kulttuuri siirtyy kellareista ja varastoista isoille areenoille. Muutos näkyy myös flyereissa.
Dokumenttisarja “Suomen rave-kulttuurin historia” kertoo 90-luvun merkittävimmästä musiikkivallankumouksesta, joka vaikutti pysyvästi myös suomalaiseen musiikkikulttuuriin ja yhteiskuntaan. –Basso.fi
Kolmannessa osassa muistellaan muun muassa miten rave-kulttuuri vaikutti seksuaalisten vähemmistöjen esiinmarssiin.
Dokumenttisarja “Suomen rave-kulttuurin historia” kertoo 90-luvun merkittävimmästä musiikkivallankumouksesta, joka vaikutti pysyvästi myös suomalaiseen musiikkikulttuuriin ja yhteiskuntaan. –Basso.fi
Dokumenttisarja “Suomen rave-kulttuurin historia” kertoo 90-luvun merkittävimmästä musiikkivallankumouksesta, joka vaikutti pysyvästi myös suomalaiseen musiikkikulttuuriin ja yhteiskuntaan. –Basso.fi
Here’s the third cut from our album called “Departed” (Youtube link: http://youtu.be/cDYQ7lRTze4).
The footage was shot at Whiteout 2011 event where we also played our first Live PA and opened the main stage.
And yes, we finally have a release date! The album will be out on 16.12.2011 and available as CD and digital download.
Check out White Birds and The Night After videos, too.
This is what makes Helsinki internationally attractive.
http://www.youtube.com/watch?v=2wTYK931PuQ
A really good documentary about techno and clubbing history in Berlin. If all you knew was Love Parade, you’d better check this.
Real Scenes: Berlin from Resident Advisor on Vimeo.
Real Scenes is a series of films, supported by and conceived with Bench, in which we explore the musical, cultural and creative climate within electronic music’s key destinations. We’ll look at the role singular figureheads—producers, DJs, promoters—play in making their city’s music scene a point of world-wide interest. We’ll also look at places, spaces and inspirations, seeking out the essence of what gives these hyper-local scenes a truly global resonance.
Berlin has always been a special place, and especially so when it comes to electronic music. When the Berlin Wall came down in 1989, techno became the underground soundtrack to the reunion between East and West. In recent years, it’s become an international destination for ravers—a cheap place to party with clubs that are renowned throughout the world.
Techno has become a business in the meantime. Yet Berlin still maintains a credibility that other cities lack. To understand why, RA and Bench have teamed up for another edition of Real Scenes. We went to the German capital eager to find out about its unique history and the reasons behind its continued relevance.
I can’t get enough of this track. Jess Mills is obviously sister of Jeff Mills (just kidding;).
This is amazing.
Jess Mills – Live For What I’d Die For
Probably the funniest lounge gig in a long time. See the set tracklist, too.
9 – Opening Night from UU Theory on Vimeo.
I’m still speechless of the Sunday vibe that Prima had in Jyväskylä on 29.05.2011. I had arrived without expectations, and even though I heard that the party would be good, I’d never expect it would be that good. The promoters KariM and Axxu warmed up the floor with proper underground tech-house/prog vibe and it was really easy to take over after a really well built-up early night.
I must say it’s not that often when you really can musically go just the way you choose without any compromises, but this was just that. My first 45 minutes were all about techno and tech-house, Slam, Kaiserdisco, Butch, Umek etc, before taking the more melodic way towards the final Blur moment (check the video). And all the way, from tech-house to techno, to prog house, some electro and trance vibes the crowd was open-minded and living the Sunday night like there was no Monday in sight.
If you’re in Jyväskylä and there’s Prima night that Sunday, make no mistake, you need to see that. It’s one of the best Sunday clubs in Finland at the moment. Period.
Massive thanks to Kari & Axxu for inviting me over and big, big shouts to Jyväskylä partiee piipls! Brilliant!
Amazing party on Saturday in Seinäjoki. 700 people packed to a two-dancefloor venue, the other floor serving the finest dubstep, breaks & drum’n’bass and other being mainly house/trance four-on-the-floor madness. I started with Ashley Wallbridge’s intro version of Gareth Emery’s Arrival, continued in a more proghouse mood and after a couple of more technoish numbers ended the night with some well known trance tunes. It was a pleasure to see 4 Strings version of Slusnik Luna’s going down really fine as well as Feijk’s & Davidson’s Buzz Kill and (naturally) Chase&Status – Blind Faith as an encore.
Big, big thank-yous to everyone coming there and making the night that special and hats off to Fiksaatio possé (always a pleasure to be there!) and my fellow jocks Timo, Sami, Genki and co.
Here’s a direct link to a Youtube video unless you can’t see it above. Facebook version online, too
Radio rip from Solarstone’s Solaris International 251.
Architect’s Dream is the ending track of Solarstone’s Electronic Architecture 2 compilation album, released on 25.4.2011
I don’t know if you saw this one already, it’s been all over internet for a week or so. A new Justice track and a new Adidas commercial. Some have been saying they don’t want a sports ad, they just want to D.A.N.C.E, but I’d say this one here is brilliant. Can’t wait for the upcoming album.
P.S. Remember their A Cross The Universe trailer? Worth seeing, too.